A stand-up comedian confesses to a murder on-stage at an open mic night to a shocked audience – his crime the result of a deadly triangle formed between his older sister, just released from prison after a 20-year stay for the murder of their parents, the loving bond he now shares with a caring surrogate family, and the ultimate choice he must make between them – his dysfunctional blood ties with his own sister, or his picturesque view of the ideal family.
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Set in the 80s in Uttar Pradesh, India, Raid is based on the true story of one of the most high profile raids the country has ever known. Amay Patnaik (Ajay Devgn), an upright and no-nonsense Income Tax officer has already been transferred 49 times in the past seven years owing to his idealistic and courageous disposition to uncover tax frauds, hitting hard the pockets of many a big shot. When Patnaik is assigned the case of Tauji, a highly influential and feared man in Uttar Pradesh, little does he know that his unerring determination to bring Tauji to justice would culminate in the longest and most challenging raid of his career as also the history of the Income Tax Department of India. Would Amay succeed in the face of an increasingly stubborn and belligerent Tauji forms the crux of the story.
Vampires have just made themselves public! Now a group of documentarians have been granted access to spend some time with them and learn how they live and coexist with humans. But as reality sets in, the crew realize they are in for far more than they bargained for.
Garv is a story of three brave and honest cops: Samar Singh (Amrish Puri), Arjun Ranawat (Salman Khan) and Hyder Ali Khan (Arbaaz Khan). Samar wants to reduce the amount of crime in the state. The trio faces obstacles because the powerful and corrupt politicians (played by Govind Namdeo, Anant Jog and Shivaji Satam) are connected with underworld don Zafar Supari (Mukesh Rishi). The politicians decide to transfer Samar Singh while Hyder Ali is named a traitor and is killed. The goons next target Arjun by gang-raping his sister, Rakhi (Akanksha) and hurting his other family members. Arjun, in a fit of anger, kills the rapists and surrenders himself to his police colleagues. He is seen walking up the steps with police in the opening scenes of the movie. He wants to be awarded capital punishment but later the court finds the politicians wrong and lets Arjun go free.
Nihal Singh from Chandigarh is a seemingly simple yet unconventional boy. He talks too much, questions everything and builds complicated gadgets in this spare time. He has a brilliant mind and an oddball sort of charm. He adores his mother, has dreams of studying in the most elite institute of science and always looks for big ideas in small things. But, there is a big but… Nihal has a secret.
Set in modern day India, Swades is a film that tackles the issues that development throws up on a grass root level. It is to this India, which is colorful, heterogeneous and complex that Mohan Bhargava (Shah Rukh Khan), a bright young scientist working as a project manager in NASA, returns on a quest to find his childhood nanny.
Champak Chaturvedi runs a theatrical troupe in India. He hires two men, Bunty – a graduate in Arts, and Babla- who cannot read nor write English. One has to play the role of the play’s hero, while one the villain. Both men end up squabbling with each other, as both want the hero’s part. Then Champak finds out that Bunty has molested the play’s heroine, Anjali, and punishes him. The group gets a contract to stage 30 plays in Britain, however, on the day of the departure, Anjali opts out, leaving Champak no alternative but to travel without a heroine, but hoping to recruit one while in Britain. Upon arrival, Babla sets about to find a suitable heroine from the Indian population, but Bunty beats him to it and recruits a woman named Munni.
It’s Hollywood, 1958. Small town beauty queen and devout Baptist virgin Marla Mabrey, under contract to the infamous Howard Hughes, arrives in Los Angeles. At the airport, she meets her driver Frank Forbes, who is engaged to be married to his seventh grade sweetheart and is a deeply religious Methodist. Their instant attraction not only puts their religious convictions to the test, but also defies Hughes’ number one rule: No employee is allowed to have any relationship whatsoever with a contract actress. Hughes’ behavior intersects with Marla and Frank in very separate and unexpected ways, and as they are drawn deeper into his bizarre world, their values are challenged and their lives are changed.